Demi lovato barney hot2/11/2024 ![]() Around the same time they took on more mature TV and film roles that further cemented their respective personas, with Gomez co-starring in Spring Breakers and Lovato doing stints on The X Factor, Glee, The View, and RuPaul’s Drag Race. Lovato’s Demi mined similar territory, but singles “Heart Attack” and “Really Don’t Care” were brighter and more rock-oriented. ![]() Most of the album was boilerplate electropop stuff with a dark tint, written and executed professionally enough. Gomez’s Stars Dance was preceded by the titanic finger-beckon “Come & Get It,” a Stargate production with Indian flourishes that sounded like it was originally written for Rihanna. In 2013, after ending their Disney runs, they each launched their first albums aimed at a more grownup audience. They made the requisite kiddie records during those years, and in 2011, each became the subject of tabloid drama, Gomez for her tumultuous romance with Justin Bieber, Lovato for an eating disorder and substance abuse that landed her in rehab. Both got into TV early with roles on Barney & Friends and followed that up with starring roles in Disney Channel series - Gomez on Wizards Of Waverly Place, Lovato in the Camp Rock TV movies (alongside the Jonas Brothers) and then Sonny With A Chance. Both were born in 1992 and grew up in the Dallas-Fort Worth area. And although Revival and Confident present significantly different visions of growing up, their arrival at the same time represents the latest incidence of Gomez and Lovato’s weirdly inextricable career paths.Īs Stereogum commenter silas wegg noted earlier this week, Gomez and Lovato’s professional lives have eerily mirrored each other. From blunt proclamations to bold album covers, there’s no mistaking these former child stars for anything but grown women in command of their message, their sound, and their bodies. Both projects are intended as coming-out parties - Gomez sings, “The light inside me is bursting, shining/ It’s my time to butterfly,” while Lovato insists, “I’m not going back to my old ways” - and in that respect, both succeed. Gomez released Revival last Friday Lovato’s Confident is out tomorrow. The Disney Channel alums’ respective 2013 albums solidified their places on the pop-star playing field, and now we find them at their FutureSex/LoveSounds phase, sharing statement albums designed not just to infect top-40 radio but reflect a point of view. Selena Gomez and Demi Lovato have been through all that, minus the sketchy Flaming Lips alliance. Miley Cyrus is currently developing the PhD program for this particular school of pop stardom. And finally, around the time you hit drinking age and finally lose your baby face, you make the plunge into adult content, often while indulging in some tabloid-ready public behavior on the side. Maybe you chastely date a fellow teen-pop star along the way. Eventually you toss a few teasing winks at sensuality into your music - nothing explicit, strictly double-entendres and such. But it’s also because those Mickey Mouse Club stars, Spears and Timberlake in particular, established a template that several waves of later Disney Channel stars have followed: First you jump from kids’ TV to a teeny-bopping music career. That’s partially because that Total Request Live-era resurgence was the last time teen-pop maintained such a prominent place in the public consciousness, and well over a decade after Justin Timberlake went solo, its archetypes linger. Maybe I’m showing my age here, but even several generations of teen idols later, Britney Spears still feels like the surest shorthand for “young female pop singer,” and even more so, *NSync remains the definitive boy band, the baseline to which all descendants are compared. ![]() The stars of the Disney Channel’s early-’90s The Mickey Mouse Club reboot shaped the way we as a culture think about teen-pop on a foundational level.
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